没有理由的引用，就是想让你们知道，你们倒勃的理由很荒谬。
“Is there anyone who can resist that glorious tune that opens and then dominates the first movement of the Op. 88 Quintet? OK, maybe Brahms repeats it a time or two too often in that long movement, but I for one never tire of it. Surely it is one of his happiest creations. The Leipzigers play it and the succeeding three movements with plenty of juice, just the way I like my Brahms. I despair when people say Brahms is an 'academic' or 'dry' composer whose use of old, classic forms is a throwback. (Are there really any people left who feel they have to diss Brahms in order to support Wagner?) These quintets certainly put the lie to that canard. This is hugely expressive music that, nonetheless, is best suited for the intimacy of a chamber music setting, not an orchestra. Brahms knew what he was doing. ”
“Is there anyone who can resist that glorious tune that opens and then dominates the first movement of the Op. 88 Quintet? OK, maybe Brahms repeats it a time or two too often in that long movement, but I for one never tire of it. Surely it is one of his happiest creations. The Leipzigers play it and the succeeding three movements with plenty of juice, just the way I like my Brahms. I despair when people say Brahms is an 'academic' or 'dry' composer whose use of old, classic forms is a throwback. (Are there really any people left who feel they have to diss Brahms in order to support Wagner?) These quintets certainly put the lie to that canard. This is hugely expressive music that, nonetheless, is best suited for the intimacy of a chamber music setting, not an orchestra. Brahms knew what he was doing. ”